Whither Thou Goest
by Gerri Leen
In the
stories of those who survive, I am a heroine.
In the stories of my own people, those of us descended from Lot's
daughter, from her incestuous union with her own father, I am also a
heroine. If two such noble
peoples see me as such, who am I to complain?
They
both love me because I endure.
Because I survive. Because I
cling with holy—or is it unholy—fervor to the woman who bore the man I
sucked dry. Once she knew what I
was, Naomi would have killed me if she could, but her life is forfeit if I
should cease to draw breath. I saw to that when I said the ancient words,
binding me to her, twining my very breath with hers.
"Wherever you go, I will go…."
Beautiful, aren't they, these words of power?
Of control. Lot's
daughters were forced to follow their father into the desert, their mother
covering herself with salt for protection against the demon that had
overtaken her husband—a demon who burned her in place, leaving only her
salted, charred corpse. Lot's
daughters, unnamed in the books of the survivors, but known to my people,
learned to turn the words of servitude into words of angry potency after
their father raped them. The
survivors changed the story, turned the girls into the ones who sought their
father to ensure their progeny's life, but we remember.
Those of us who hold fast, who suck dry.
Who never leave once we latch on.
"Wherever you lodge, I will lodge…."
None
can rid themselves of us once we take hold.
Not while we cling.
"Don't
beg me to leave you, or to stop following you…."
Once
there were words of rebuke, designed to claw my kind from the lives of the
faithful. But they were lost long
before I found Naomi, and her husband, and her sons.
My sister Orpah and I flipped a coin, the hammered side meaning she would
take hold and follow this woman to a new land.
But the carved side fell instead, and it was up to me.
It
hurt to say goodbye to my sister.
Perhaps the only hurt I'd felt for a long time.
Naomi
could tell. "Look, your sister is
going back to her people, and to her gods; follow her."
Orpah did go back to our gods, and I pledged myself to Naomi's one God,
the boundless skies crackling with delight at my heresy.
I was
consecrated in blood years before. I
belonged to the old ones. I would
keep my husband's mother in a stranglehold, but not so tight that she ran out of
air. For I spoke true when I said,
"Where you die, I will die, and there will I be buried."
I was tied to her as surely as she was to me.
And I have a fear of being trapped underground.
We were born in caves and we fled them as soon as we could, dancing under
the stars, lying naked under the fierce winds of the desert, letting the blowing
sand scour any remaining sanctity from us.
Naomi
begged me to stay with Orpah. She
wept. She bribed.
She even tried to stab me in the night.
Fortunately, I am a light sleeper—I cause nightmares; I do not have them.
In the
end, she gave up. I called her hag,
doomed one, lost lamb. It amused me
to watch her become silent as we traveled together.
But
near Bethlehem, when we stopped for water, I overheard her telling a stout young
man who was watering his flock that I was a demon.
He laughed at her, but later I caught him following us.
I bade him join us, and he basked in the venomous warmth of my smile.
I let him into our camp—let him into me—as I sucked him dry, and drained
the vitality and goodness out of him.
I left him a husk of a man on the road to Bethlehem.
His seed died within me. He
was not of Naomi's line; my womb rejected his offering.
Naomi
wept bitter tears for him. She
thought he looked like my husband, her son.
I thought so, too. I enjoyed
the similarities heartily.
"You
are unnatural," she said as I stood in the creek we'd camped by and washed the
last of him out of me.
"Oh, I
exist in the natural world. I don't
disappear in the light of day." Some
of my kind do; they hunt only in the dark, drinking their victim's life away
much faster, more directly through the blood.
They live long, the dark dwellers, not tied to their victims.
But my kind live our shorter lives in the open, and that makes us
stronger, more alive.
"You
are heinous. A cursed thing.
Nothing good lives in you."
She
was right. Inside, if I let myself
feel it, beat the remnants of the broken heart of Lot's girl, robbed of her
mother, then of her innocence. Her
pain passed through our line, diluted in most of the Moabites.
But strong in some of us, those who learned how to turn pain into
suffering—into slow, ingenious torture of the soul.
We live to break others; it was the only way we could survive, then
later, it was the only way we could thrive.
I
thought Naomi a broken woman when we arrived in Bethlehem.
But she stood before her old neighbors, telling the truth—if those who
listened could have understood her words.
She said, "Don't call me Naomi, call me Mara, for the Almighty has dealt
very bitterly with me. I went out
full, and the Lord had brought me home again empty.
Why call me Naomi, seeing how the Lord has judged me, how the Almighty
has afflicted me?"
None
understood. None saw that I was the
curse she spoke of. They saw only a
young woman devoted to her. I hugged
her as she finished her speech. "I
like it here," I said as I pulled her close and bit down on her neck, not
breaking skin, but sucking hard enough to leave a bruise just behind her ear.
"Leave
me," she said, and her voice seemed to shatter, as if her last hope had been
here, in this place, with these people.
Had she thought that her homeland could save her from me?
"I can
never leave you. But I can add to
our family." And I turned to look at
her kinsman Boaz, a handsome, wealthy man who smiled with delight on both of us.
"No."
Naomi's voice was little more than breath, warm across my face as she
pulled me to face her. "Do what you
will with me. But leave him alone."
"What
you love, I will love."
She
fell away from me with a cry, and I let her go.
My eyes met Boaz's, and he was mine.
Even if he didn't know it, even if his blood was not yet singing for me,
I could feel the spark of attraction that would someday bind him to me.
I
lowered my eyes, keeping them downcast as a young maiden should.
I hurried after Naomi and did not look back.
But if I had, Boaz would have been staring after me.
And
now I make plans for him. He knows
me only as the Moabite who followed her beloved mother-in-law home.
"How do I win him?" I ask Naomi, when I find her in our new house, small
and not very tidy. Where are all the
riches of my father-in-law?
"I
will not help you."
"This
Boaz will care for us. He will spoil
us and make us the envy of every woman in town."
I do not relish sharing this with Naomi, but the binding works both ways.
I cannot forsake her, not once the words have been spoken.
She
will not answer.
"I
will kill him if I cannot win him." I
lean in, press my lips against hers and feel her shudder at my touch.
"Shall I do that? Shall I
kill him?"
She
pulls away and I let her. Her lips
are chapped where mine rested against them.
"You
lack the humility to win him," she says.
"A
challenge. I do love those."
To my
surprise, she tells me of the old ways, the gleaning and the barley and corn I
must lay claim to. Her eyes gleam in
a strange way when she speaks of water vessels that can only be touched with
Boaz's permission. Of the danger of
following strange men in a field.
"You
think they will harm me? You think
they can harm me?"
"If
you dishonor us, they will stone us both."
She does not care anymore, the old witch.
She may dishonor us herself if given half the chance.
I pull
her to me, lips pressed again to hers, sucking in this time, pulling her
strength, leaving just enough to let her get around the house but nothing more.
She falls when I let her go and I do not help her up.
"They
will not stone us, old woman."
I
leave her and seek out Boaz's fields, keeping my head down, picking up the
hatefully sharp gleaning—pieces of grain that would not have been good enough
for my horses back in the house Orpah and I grew up in.
I do
not join in with the other girls; I go home to Naomi when it is time rather than
sitting and laughing as they do. I
do not talk to the young men, and I grow to understand that Boaz, who rides
through the fields upon occasion, has told them to stay away from me.
I make
sure the townsfolk see me helping Naomi, bringing a chair for her and putting it
outside the front door when the sun goes down and the dust settles.
She is weak, and she hasn't the energy to glare at me, but her hatred
pulses between us.
"I
will have him, hag. And then we will
live in his fine house. And dine at
his rich table. And I will suck the
life from him just as I did your husband and sons."
I lean in. "But not before he
has given me a son."
"A son
who is an abomination," she murmurs.
"Not
until his lips fasten on my breast.
His path is unclear until then." I
lean back and stroke my belly as if life already grows in it.
When my son nurses from me, I will feed him the pain of Lot's daughter,
and he will grow strong in the memories.
"Orpah has the sight, mother mine.
She had a vision the day we left, told me that from my loins would come
kings."
"We
have no king here."
"Not
yet." I grab her hand as I see Boaz
approach. I can feel Naomi trying to
muster energy to speak, and I suck hard on her essence until she grows too weak
to talk.
"Kinswoman, you prosper?" Boaz
crouches at her feet, and I watch him through my hair as I keep my face turned
down. "And you, Ruth?"
"We
are well fed, thanks to you."
"It is
very little that I give you."
"It is
more than we had." I lift my head,
let him gaze on me. I know I am
beautiful.
"I
must go." He does not look as if he
wishes to go.
I
reach out, let my hand fall on his forearm, and read everything I need to know
from the way his pulse races in the veins beneath my touch.
He wants me. He will do
anything for me. Except ask me
outright. Except marry me.
I am...I am beneath him?
Anger
flows through me. Who is he to think
himself my better? I pull my hand
away before I can convey that anger to him, before I begin to drain him out of
rage.
With a
last smile, he walks away, calling out to those he passes.
"Ruth," Naomi says, her voice shaking—in anger, I sense, as much as exhaustion.
I grab
her hand and give her back some of the energy I've stolen.
"What, old woman?"
"He
was nothing when I left. My husband
towered above him." Naomi's voice is
brittle. "He gives us his leavings."
"Yes."
I stroke her hand. "And a
moment of his time."
I can
feel a war inside her. It surprises
me, but she's been burdened with me for so long, a second, hateful skin, that
perhaps I am rubbing off on her?
"You want me to have him?"
She
looks torn. Then she touches the
faded robe she wears and smiles wistfully.
"I would like a glass of wine.
Fine wine, like we had in Moab."
"Wouldn't we all." But I give her
back a little more energy. This is
interesting. "Myself, I'm getting
tired of picking up grain."
"It is
beneath you." Naomi meets my eyes
with a look of hate, but one that seems devoid of its usual self-righteousness.
"And it is beneath me, too."
"And
we are one, Mother." She normally
hates it when I call her that, but she seems not to even notice it this time.
As I help her inside, I ask, "Surely, there is a way to get what we
deserve?"
"An
old ritual. But one that cannot be
denied."
"Tell
me."
She
does, her voice faltering as she details what I must do, so I fill her with
energy again. "Hide among the
grain," she says. "Wait until Boaz
drinks with the men and falls asleep on the threshing floor, then lie at his
feet and let him wake to find you there."
It
reeks of the stories Naomi's people tell of Lot's daughters.
Get a man drunk, have your way with him.
All to get an heir. A son.
A life beyond this one.
But to
get a king, I will do it. Naomi
looks at me as I bathe; she doesn't avert her eyes as she so often does.
"What?" I ask.
"You
do not look evil." She leans in.
"But you are. Your evil
corrupts like rot on bread."
"I
think I'm a bit more subtle." I
laugh as I wind the finest cloth we have around me.
And then I kiss her, not draining her this time, for once feeling she is
indeed my mother, and she lets me hold her, doesn't pull from my lips.
"We will live better than this."
Naomi
shudders as I pull away, her hands clutching at me, as if she can keep me from
Boaz. "He is a good man."
I
wait. If it can be done, I want to
see her fall. I want to see her give
in to our power.
But
she mutters to herself, an ancient prayer to her God.
I feel a different power grow around her, a power that pushes me out of
her a little.
But
only a little.
"Wish
me luck," I say as I go to find Boaz.
The
waiting is boring, the sound of men laughing and drinking tedious.
I send my spirit casting through the sky, into the far reaches of this
land, seeking out any who are like me.
Here and there I find them.
The dark ones. The cursed ones.
And those just awakening to their power.
I come
back to my body when I hear Boaz settling down in the grain.
I crawl to his side and sit watching him.
Then I put my fingers on his lips, let them trail down his chin, his
neck, his chest, stopping when I reach his waist.
I can feel his energy, such vitality.
He will give me a strong son.
With
that thought in my heart, I lie at his feet and wait.
He snores. He rolls.
He talks in his sleep. The
sun is nearly up and he has still not stirred. I grab a sharp blade of grain,
poke it into his foot, and then let it fall as he finally wakes.
"Who's
there?" His heart is beating; I can
feel his fear.
I sit
up as if confused from sleep. "I am
Ruth, your handmaid." My hand steals
to his calf, grips it lightly.
"Claim me, for you are my family."
He
does not look happy. I drag
lightly at his essence, pulling what I need into me.
He is familiar, enough like Naomi that I can twine myself into him the
same way I do her.
"I am
yours," I say. What I mean, of
course, is that he is mine.
Sweat
beads on his forehead even as he makes plans for our future.
I feel his vitality flowing into me, and from far off, I can tell that
Naomi is feeling it too.
I
leave him, secure in the knowledge that he will do as he must to have me.
In time, ritual challenges are given and won.
Naomi and I are moved into his fine house, and I take him to bed, knowing
Naomi can feel the edge of our passion.
When I
check on her in the morning, she looks sick.
"Will it be like this always?"
"He is
your blood. We are all one."
She
holds a knife over a loaf of bread the servants have brought.
Moving the blade away from the food, she dangles it over her wrist.
"It would be such an easy thing."
But
she does not do it.
"It
would be such a holy thing."
But
she cannot do it.
"I'm
damned," she says as she throws the knife down and flees the room.
I wonder if she realizes how easily she is moving.
If she knows that the lifeforce that feeds me is also feeding her.
Since moving into Boaz's house, she looks ten years younger.
Our neighbors say it is due to the easier life.
I know otherwise.
She
knows before I do that I am with child.
She finds me throwing up and smoothes back my hair as if I was a child—her
child. "It will pass," she
says.
"It
better." But it does not.
The child that I carry, that is my legacy to a world that would hate me
if it understood me, drains my energy to such an extent I have to pull more and
more from Boaz. He begins to falter,
his vitality fading as my belly grows.
Boaz
barely survives to see his son born.
He takes him from the midwife, his smile triumphant, and then I grab the child
away as Boaz falls to the floor. The
midwife rushes to him, and I try to look sad as she tells me my husband is dead.
My son
stirs, seeking my breast, and I smile at the brush of his spirit waiting to be
freed, but then I feel him being pulled from my arms.
"What?"
Naomi
has her robes open, her once old breasts now glisten with milk.
"Drink, child. Drink from
me."
I
scream as I feel the spirit of my son rush away from me and into Naomi.
I try to grab him from her, but she carries him away, the sound of his
suckling like the drag of a chair over a stone floor.
"Hush,
Ruth, your mother will take care of you now," the midwife says.
She leans down, her hand gentle on my face.
"We all know how kind you've been to her.
How much you love her."
There
is something in her eyes, and I reach down and realize I am bleeding.
"Lie
still," Naomi says, "or you will surely die."
"As
will you." I do not care that the
midwife is hearing this. I do not
care about anything.
"As
will he, your begetter of kings."
I lie
still. For I cannot lose him.
Not now.
Naomi
hands my child to me, and as soon as his mouth fastens on my breast, I can feel
the pain inside me cease, and I know I've stopped bleeding.
The
midwife looks at us as if we are both mad.
"My
daughter-in-law is not from here, all this talk of kings," Naomi says.
"But then you know that.
Everyone knows about Ruth, my devoted little outsider."
Naomi leans down, kisses my son, and whispers, "Wherever you go, I will
go."
The
curse does not work for her, not the same way it works for me.
But my son stops suckling long enough to meet her eyes with his own.
His are older than they should be, see more clearly than a newborn's
ought to.
Then
they fasten on me. And they are
filled with something else. It looks
a bit like hate.
"His
name is Obed," I say. It means
servant. He will serve Naomi, not
me—it fills me with pain to call him that, but it is a true name, and while I am
evil, I am not blind to the truth. I
touch his forehead and he starts to cry.
Naomi
takes him from me and kisses me on the cheek.
"You'll always have a home with us, dear."
She is
clearly enjoying this. I have
definitely rubbed off on her.
The
pain starts up again. I pull at
Naomi's lifeforce, feel energy draining out of her, but the child is filling her
with what he's draining from me.
I hear
her laugh with delight. The baby
gurgles. My son.
Her
son.
I
reach out with everything in me, feel some part of him respond.
Then nothing.
Naomi
lets the midwife leave, has the servants remove Boaz for burial.
I lie in blood-soaked linens and wish so hard for oblivion that I can
hear the dry wings of death approaching.
But then I feel my son in my arms again and Naomi leaves him with me.
She is
still tied to me. And she does not
want to die. It's not much.
But
it's enough for now.
Gerri Leen lives in Northern
Virginia and originally hails from Seattle.
She has a collection of short stories,
Life Without Crows, out from Hadley Rille
Books, and stories and poems published in such places as:
The GlassFire
Anthology,
Entrances and
Exits,
She Nailed a
Stake Through His Head, Sword and Sorceress XXIII, Dia de los Muertos, Return to
Luna, Triangulation: Dark Glass,
Sails & Sorcery,
and
Paper Crow.
She also is editing an anthology of
speculative fiction and poetry from Hadley Rille Books that will benefit
homeless animals.
Visit
http://www.gerrileen.com to see what else she's been up to.